JAMES JARVIS

May the 4th.

Ah James. Who used to hand me a fresh, perfectly folded t-shirt, from the perfect warm pile in the airing cupboard ever time I stayed the night. Fond memories of his quality quirks like filling a rucksack with packing material to keep his rucksack in shape at all times. Or, not being able to wear the new trainers outside the house, due to uncertainty on the lace-up style. Hanging out, watching movies, admiring the interesting smell his 70’s smoky glass table gave off when wiped with a wet clean cloth after dinner, discussions on how vinyl should be categorized in their stacks or the genius of Richard Scary.

I particularly like this t-shirt he did for uniqlo. I always think of it, James and our mutual love for pental brush pens on May the 4th.

https://www.instagram.com/jamesjarvis/

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G.F SMITH BRAND IDENTITY

After a conversation a while back with Rob from Healy’s Print, a surprise package arrived for me. It was a large small book. I mean it was small, A5 ish, but it was also large as it was chunky.

I stared at it. I couldn’t stop admiring it. It was handsome. I still cherish it, even a few years later. I almost can’t bear to touch it for the possibility of creasing something and ruining its perfectness.

So beautifully elegant in simplicity. It excels beyond a mere catalogue of paper stock.

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Something has to be very incredible to be this good, when all is this stripped back. And this is a very rare occurrence. Apple take advantage of this scarcity to stand ahead. It’s even in their packaging, in the detail of the pressure when opening a new box, which is always perfect.

This sample book is Eric GIll in essence, from the typeface, to the bookbinding and the craft of the object. I often think of Gill’s statement that cheap manufacturers use ornament to hide cheap production. The opposite is also true. It is much to my dismay that the plainest most beautiful made objects, particularly clothes, are items way beyond my budget.

There was something about this book. Everything. Even the logo G.F Smith and it’s play on the i.

I stumbled across who designed it yesterday. Makes sense now.

And no, you can’t borrow it…sorry.

https://www.madethought.com/to-make/g-f-smith/

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image © Madethought.com

image © Madethought.com

Source: https://www.madethought.com/to-make/g-f-sm...

PAUL SMITH'S MATCHBOXES

image © paul smith

image © paul smith

I have been getting ready to make space for my framed matchboxes this week and came across Paul Smith’s insta post today of his own vintage matchbox covers. I’ve never really thought what elements make them so appealing. But of course, he points out the obvious, it is the creativity in designing for such a small space.

Paul Smiths’ comments got me thinking. I believe there is another design element to these ephemeral items. Being a cheap and disposable object, the printing is generally simple, sometimes a mere one or two colours, to keep costs down. It is also the quality of the paper stock - rough, unlaminated, honest.

I have been animating graphics for a website, and the simplicity of these designs and colour-ways have been an inspiration to this current work.

insta

Source: https://www.instagram.com/p/B_vAJKAnJwz/?i...

Javier Mariscal

Been looking again at Mariscal’s work today. I was very lucky to meet him in his studio in Barcelona, many moons ago. His studio was only found by following Mariscal’s graffiti, which led to many thin stray dogs, a dusty mud track and finally to a concealed hi-tech warehouse, which seemed more like a James Bond set than a studio. Previously famed as a comic strip artist, his talent extends to type, furniture, architecture and print. However, when I met him he was more interested in showing his privately funded pop video, featuring him 'singing’ beside some very glamorous models. When talking about his work for the Barcelona Olympics - he said he designed the mascot Cobi to look naked with a hairy chest. And he got away with it. Absolute legend.

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Source: https://www.pinterest.co.uk/danielleblyde/...

Game Typography

Survey of ’70s, ’80s and early ’90s arcade game pixel typography. Exhaustively researched by author Toshi Omagari (a celebrated typeface designer at Monotype UK) Arcade Game Typography gathers together 250 pixel typefaces, all carefully chosen, extracted, redrawn and categorised by style, and each with an accompanying commentary by Omagari. The title also features 4 illustrated essays on videogame typography theory and practice, documenting the unique advantages and challenges presented to designers of these bold, playful and often quirky alphabets.

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Source: https://readonlymemory.vg/shop/book/arcade...